Question was not addressed to me but there are still some unconnected machines out there. In my studio, a Macintosh Performer running OS9 sits connected only to a MIDI system, thus allowing me to compose and play "Band-in-a-Box" backings for my guitar-pickin' efforts. No malware is going steal my licks ;-).
That's easy enough to answer. When I started putting together a dedicated digital image editing setup, I had a computer custom built for editing images and added to it a minolta DiMage 5400 digital film scanner (which I waited for, as I had heard about it before it hit the market) and a QMS/Minolta 300 EX color laser printer, which I had to hover over the Minolta website for 8 months in order to finally find one which was a factory refurbished model. That cost me about $1,000 for a $8,000 - $10,000 prepress capable, oversized tabloid color laser printer.
Since that printer had its own hard drive and processor, I decided that the last thing I wanted was any kind of malware or virus getting into it where I would have virtually no chance of dealing with it (and such viruses were around then, having been used to infect Iraqi printers before the Gulf War. Little chance of getting one but no chance is a better chance). Since I was only scanning my 35mm negatives and printing them as color 11" X 17"'s at home after editing them, I decided that I didn't need to hook that computer up to the Internet: I was using it all the time anyway without surfing the 'net. A cheap, disposable second-hand PC served that purpose much better, and gave me something to work on when my image editing computer was working on scanning negatives.
A few brushes with early browser re-direct viruses, such as "Cool Web Browser", made me realise that I was farther ahead keeping my image editing computer isolated from the Internet. Since then, players on the virus and malware landscape have proliferated wildly, and all of the measures suggested by those in the IT know about how to keep one's digital assets safe are basically permutations on ways to simulate isolating a computer from the Internet.
Keeping my dedicated image editing computer isolated as it already is has proven to be the simplest solution available. I could "cut corners" and agree that "Oh it won't hurt to connect to Adobe once a month" but that is a slippery slope I have no intention of starting down. Really, I don't need anything else from Adobe beyond what I have already bought and paid for so I have no qualms whatsoever over parting company with them.
My firm opposition to Adobe's new marketing strategy is probably based in the idea that it isn't really proper to counsel others to undertake risky actions even if one does so themselves. 999.99% of the time there is no problem but when dealing with thousands of people eventually someone gets hurt and it seems there is never anyone will to take responsibility for providing what turned out in one instance to be bad advice.
As a philosopher, I put this down to the divide between ethical and moral actions: we can decide for ourselves what is an ethical course of action for us to take in any given situation, but when we convey that course of action as preferable to others than we are making a moral choice as to what is the greater good for everyone. Clearly, Adobe's choice of subscription based software services is in the best interests of Adobe; and many have made solid arguments as to why it would be in the best interests of Adobe's customers to sign up for their Creative Cloud software delivery system. Personally, I really only see an advantage there for Adobe; certainly, there is no advantage to be gained by me in signing up for Adobe CC.
I think it is a decision everyone has to make for themselves but I also think it needs to be an informed decision made with the realities of the situation openly discussed, rather than the somewhat cultic party lines of Adobe's marketing mantras being the primary factor weighing in on peoples' decision whether or not to go along with this marketing strategy.
The problem Adobe has is once a product has matured and been refined as much as its products any improvements are so minor that most people will not bother to upgrade. So the market rapidly diminishes and only exists of a very small number of new buyers, the few users that see a particular value in some minor new feature or fashion followers. The bulk of the users like me will remain with the version they have - why pay for something with just a few new gimmicks. This becomes an increasing commercial and marketing nightmare for Adobe and hence the new model of treating the product as an ongoing service. If they had waited much longer they would have been in real trouble.
Last edited by pnodrog; 3rd December 2013 at 07:21 PM.
The new subscription model solves that problem completely.
The other thing I suspect that people don't appreciate is the fact that it's not just new features that make an upgrade attractive -- it's also improvements to existing tools. I jumped from CS5 to CC and immediately noticed very significant improvements in the "smarts" of things like spot healing brush tool / healing brush tool; in the past things like a single hair than runs through an eye and across the mouth could be quite a PITA to remove in a high quality way -- one would have to carefully work each background separately - and now it just seems to understand more of what I'm trying to do. That alone has saved a lot of time.
Keeping in mind too that although PS is a major product, it's only a tiny fraction of Adobe's huge range of products.
Adobe has created a lot of ill will by this move. I think most of it could be resolved if Adobe would agree to let a person in CC keep their current version in perpetuity if they have subscribed for, say, eighteen months. That would answer the objection to not being able to open images worked on in CC only versions. I don't see how they could lose by doing this, and it would lessen the appearance of rapaciousness.