Hi Raj,
I'm another one that immediately thought to monochrome the people half of the image, or at least, vastly reduce the saturation; those reds and blues really attract the eye.
With regard to that sharp edge Manfred pointed out, if mine, I'd 'clone extend' the ceiling tiles and dark walls over it.
I have to confess that I am still trying to understand what I am looking at - I assume it is the city lights viewed through a glass floor cantilevered outside the building, with the reflection of the inside of the building, part of me wonders why the reflection isn't inverted though - if it is a double reflection, then I have lost the 'construct' (in my head) of what I am seeing.
Bottom line is, I find the view far more appealing than the combination, I'm trying to mentally 'filter out' all the reflections. If I had access, I'd shoot with a (circ.) polariser and remove the distractions entirely - but that's not what you perhaps want to hear
That said, I can understand why, if the scene is as I imagine, you would take a shot (as would I), but for people un-used to the view, we find that more interesting - and in colour, of course.
Cheers, Dave