Hi Izzie,
I'm late this week (sorry), in fact if I delay any more you'll have posted another set here or moved on to February.
BTW I have now added this thread to the P52 Index and will do similar with February's when I see it.
Increasing contrast, as we typically do when converting to monochrome, often reveals lens vignetting, which would be my suspicions with regard to the dark corners, given the camera used this week. Therefore, I'd have corrected that in ACR (yes, even if original is jpg) with the vignette control on lens tab.
My personal view is that both the Edited versions of 3 and 4 have gone too far with the contrast, all #3 needed was anti-vignette and perhaps some brightening of the white, without crushing down the shadows any further.
In Submitted #4, the saturation already looked too high to me and went 'off the scale' with the Edited version
Hmmm, not sure how to say this; I'm not a fan of (what I think of as) 'Lucky Dip' processing - e.g. effects filters and plug ins, but that may be because:
a) I find I get 'button happy' in similar situations and just 'loose the plot' after a while and what results usually "ain't pretty"
b) I don't have any plug-ins
(beyond the filters in PS, which I never use nowadays)
c) I prefer fully understand what each image needs and discover how I can achieve that 'manually' in PS, it takes time
As a series, I enjoyed these, giving me a glimpse of an alternate landscape so close to the airfield that I'd never have imagined could exist - my; what pre-conceptions I have, and false assumptions I jump to!
I still recall when I first flew in to JFK, back in the seventies, how surprised I was that it (America) wasn't like I'd seen in westerns
it was so much greener than I expected.
Now - you take it easy before the quack (hopefully) signs you off in mid-February - look after those flippers - and that's an order!
All the best, Dave