Hi John, if you open the original in Lightroom or Photoshop you could determine if the histogram showed blown shadows and/or highlights. Assuming it has both, then by definition this image has high dynamic range. If you determine that it is a candidate for HDR, how were you thinking of processing the image? For example, if it was shot in RAW, you may be able to recover some of the detail in the shadows and highlights.
Seeing the contrast range in the composition, this is an image for which I would have taken three shots on a tripod; one at normal exposure, one at plus 2 EV and one at minus 2 EV so that I could do HDR Tonemapping with the images. If you only have one image at normal exposure, there still may be some recovery that is possible using single shot HDR techniques. Usually you will want to determine how you intend to shoot and process HDR images before you press the shutter. Hope this helps!
Nice shot john, there is no need for a hdr. The shadow detail is just fine, and the highlights can easily be recovered. IMO , save the hdr for the shots that need it.
Hi Frank,
The photo was taken in RAW format, I did not bracket the shot as the D60 doesn't have this function. I checked for blown highlights and there were only a few small areas in the columns which could be quickly fixed with PSE8. Also this was handheld, I only had the 70-300mm lens with me and couldn't compose it any better with traffic directly behind me. I know that true HDR requires bracketed shots and that is how I would usually do this, but I happened to be standing in front of this building about 7:00PM, it was directly behind me and I thought that the range of tones would be suitable for HDR. Traffic is so heavy at this time of day that unless I could find the perfect elevation I would get nothing but intrusive automobiles in the shot and by the time traffic slowed the light source would have changed.
Thanks for the suggestions and comments.
John,
I'm siding with Steve on this one. I like it better as it is. Those lovely reds and mauves are really attractive, and the textures are beautiful as they are. Personal taste, as always, when talking about HDR...
You said that you'd only want to do a subtle bit of HDR. What is it that you think is lacking in the original?
Seri (Ducking )
Hi John, I am continuously experimenting and still have a LOT to learn but I believe it comes down to personal taste and the tools and techniques you use to achieve your goals. You can apply any technique to any image to achieve a particular goal. There are no rules that dictate what you must do or how you must do it. I usually prefer to reproduce an image that is as close as possible to what I saw when I took the shot, but for fun, I sometimes break my own rule!
I like to work with high contrast images so I tend to use certain techniques more often. For example, I have used Tonemapping on a single contrasty image to get a certain look. Why didn't I shoot three or more images on a tripod? Simple. The subject was moving! I have also taken three different exposure hand-held images of the same contrasty object and used Tonemapping with alignment to merge them together. Why? Because I didn't have (or couldn't use) a tripod at the time I took the shot. I have taken a single RAW and produced three or more copies at different exposures and then used layers to manually merge the highlights and shadows back into the original. Why? Because I can achieve a sharper image with less noise, particularly in the shadows. Not all of the images I used these techniques on would be considered 'HDR' by a purest because the images may have had some detail in the shadows and highlights.
By the way, my D3100 doesn't do Auto-Bracketing either. I just push the shutter three or more times, changing the EV between each shot.
Listen to your heart, experiment, explore, and have fun!
OK guys. I have my flack suit on, fire away!
Hi John, I don't apply HDR techniques to every image and I'm not fond of 'overcooked' HDR images. For example, owing to the extreme dynamic range of the shot below, I couldn't have gotton the view outside the window, in the glass cabinet or the dark Dining Room without multiple exposures and HDR techniques. Fortunately being indoors, I could have complete control over the environment as I was learning. This is one of the first HDR images I took when I graduated to a DSLR from my Point 'n Shoot in February.
When I compare the image to the actual kitchen, the colors and patterns are very close to the original, which was my goal. The HDR process was anything but subtle (more like brute force), but the result is nothing like I could have gotton with conventional photographic techniques. This is what I started with...
Last edited by FrankMi; 19th July 2011 at 11:48 PM.