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Thread: Filters: Traditional or Digital?

  1. #41

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    Re: Orton Effect

    Quote Originally Posted by rpcrowe View Post
    I am sure that you could accomplish this using Photoshop but, it does give the imprression of a soft focus filter...

    http://prodesigntools.com/photoshop-...n-compare.html
    Often I find effects like that just don't seem "quite right" - I suspect it's due to the package essentially treating the subject and background as 2 seperate zones, whereas in reality, their is also a transition zone between them that you get when shooting wide-open. Perhaps a bit like compositing one subject onto a different background; if you just "cut and paste" it looks (pardon the obvious) "cut and pasted" whereas in a real photo, again, there is a (small) transitional area that (in the case of a composite) needs to be handled with a small inner shadow or blur.

  2. #42

    Re: Orton Effect

    Quote Originally Posted by rpcrowe View Post
    I am sure that you could accomplish this using Photoshop but, it does give the imprression of a soft focus filter...

    http://prodesigntools.com/photoshop-...n-compare.html
    IMHO, Topaz Lens Effects does a much better job: http://www.topazlabs.com/lenseffects/

    It uses depth mapping for accurate DOF. You can do DMs in Photoshop, but it’s a pain.

  3. #43
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    Re: Filters: Traditional or Digital?

    Hi, I shoot mostly Landscape and Nature Photography, I live in the Pacific North West, shoot a lot in forestry also and when it rains or just after it rains. 2 filters I use, CPL (90% of the time) and GND, to get reflections of rocks, leafs or shoot waterfalls I always use my CPL. Its always on my glass most of the time, unless I shoot extreme wide angle.

  4. #44

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    Keith

    Re: Filters: Traditional or Digital?

    I still don't really understand what the 'Magic Cloth' is!

  5. #45

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    Re: Filters: Traditional or Digital?

    Quote Originally Posted by keith201 View Post
    I still don't really understand what the 'Magic Cloth' is!
    Basically an "obstruction" that you put in front of the lens for PART of a long exposure that stops the light from the brighter part of a scene from (temporarily) reaching the sensor.

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