The line starts here.

[jiro]

Thank you very much for viewing.





Nikon D70, Nikon 50mm f/1.8D lens.

[Marie Hass]

Hello, my friend. May I join you in line?

'Rie

[jiro]

Hello, my friend. May I join you in line?

'Rie

By all means, my lady.

[Marie Hass]

Thank you, kind sir. It is so good to be in your good company again.

'Rie

[jiro]

The pleasure is mine, my friend.

[Polar01]

Willie it is your name and post, but it is in colour, did you camer run out of B&W?

Cheers:

Allan

[jiro]

Willie it is your name and post, but it is in colour, did you camer run out of B&W?

Cheers:

Allan

For your viewing pleasure, Allan.



Thanks for looking,

[Polar01]

Oh good you are back to the dark side, I feared there for a time that we had lost you the the bright side. Love them both.

Cheers:

Allan

[jiro]

Oh good you are back to the dark side, I feared there for a time that we had lost you the the bright side. Love them both.

Cheers:

Allan

I have two processors in my brain when I shoot, Allan. One for colored and one for B&W. I'm just messing with you. Thank you very much for viewing my work.

[Donald]

The lesson in this one is about selecting the right aperture to get just the perfect depth-of-field that will make the shot. Wider = more blur = loss of just enough detail. Narrower = not enough blur and attention diverted from the sign.

Wonderful.

[jiro]

The lesson in this one is about selecting the right aperture to get just the perfect depth-of-field that will make the shot. Wider = more blur = loss of just enough detail. Narrower = not enough blur and attention diverted from the sign.

Wonderful.

Thank you very much, Donald.