Less than a week ago, my wife started putting together a jigsaw puzzle made of 1000 pieces -- her first jigsaw puzzle. The image on the puzzle's box is not the image of the assembled puzzle, which of course made her task even more difficult.
We celebrated her completion of the puzzle by making the photo shown below of her putting the last piece in place. The image really is of the last piece, not a piece chosen to make the photograph appealing.
When we viewed this photo on the television at about 24" x 41" (610mm x 1040mm), which is 10% larger than the actual puzzle, my wife gave me the best compliment I could have received: The photo of the puzzle has so little glare that it is easier for her to examine it than the puzzle itself. Those of you who have been following my study of using the family of angles to control light in a studio situation can appreciate why my ego absolutely soared when she told me that. (Examining the puzzle is important because she is supposed to solve a murder mystery now that she has assembled all of the pieces.)
Even so, one piece in the puzzle does have glare as do many of the edges of the pieces. Controlling the light eliminated the glare on the flat part of the pieces. Using a polarizer helped with most of the edges but not all of them. Though this was mostly a fun project to celebrate my wife's completion of her first jigsaw puzzle, please don't hesitate to offer C&C pertaining to other issues.
By the way, I handheld the camera at arm's length shooting toward the floor using the articulating LCD of my wife's Nikon D5100. Considering the difficulty of that situation, I'm very pleased that there was no perspective distortion in the capture.