Still learning here George, but in my brief experience with photography I have discovered some things about myself that are perhaps at best on the fringe of mainstream (I'm being nice to myself here). One of those things is that my appreciation for an image has never been influenced by whether it's flowing left to right or right to left, even as I have been unmercifully lathered with the left to right mantra by the senior members of my camera club. I do respect all of their years of experience, but as yet, I am ambivalent.
Earlier in this thread I mentioned another of my quirks, which is that most of the time (not all, though) vignettes act as a distracting element for me. I am positive that with this also I am at odds with most people but I have stopped being concerned about it, although I am interested in a variety of opinions about any particular image. With this one, the vignette seems to have darkened the image to the point where my sense of the setting is diminished. I'd like other views on the image, for sure.
I'm with you, Lon, most of the time I don't like vignette; at least not with 'normal' photos.
And for some reason, having the action moving from left to right does seem more 'comfortable' to me. But there is no logical reason for this.
Thanks Lon and Geoff for the feedback.
Here is a version without vignetting. i've seen vignetting work with portraits and that is why i tried it here. I don't think i would try it again with a landscape or such.
As for, left to right - it may be cultural, reading from left to right. Someplace i think i heard that cinematographers and staging uses it to show movement into the future and right to left as returning. So maybe we are already conditioned. Also know that in giving presentations standing to the left is suggested since the upper left quadrant is primary. Don't know if that tradition goes back to painting.
On the other hand it may be instinct - dogs do it. See http://suite101.com/article/study-sa...n-faces-a75900. Mirroring only works in some cases. I commented once to someone else about this and they responded that the scene was so well known it would have been a mistake. If you mirror the NY skyline it would look strange. Bottom line as usual is it's up to your eye. Thanks again.
Snow and black rocks - wow, that is tricky.
Possibly a couple of spots where the snow has slightly over exposed and lost fine details, but difficult to tell from this monitor. Did you spot meter for the brightest areas?
Excellent photos all round.
indeed very nice.. art out of rocks... ie; they look like paintings.
Hey! Where are you going?
Dancing Does
I was driving through a park when about six does and a buck crossed in front of me. They started grazing in a field so I go out and got a couple of shots. They must be used to people since they didn't mind people being around but not too close.
A father and his son came by walking an unleashed English Wiredhaired Pointer puppy. (They stopped to chat a bit.) The puppy was pretty well behaved until instinct took over and he started chasing some of the deer. They called him to no avail and the boy took off after the dog with the other deer just watching the whole thing.
C&C Welcome
great pics... I love the first one, you captured the moment beautifully. Thanks for explaining why the boy is running seemingly away from the deer.Wish I could've been there, too.
Crisp well exposed shots with good colour. Some potentially difficult exposures have been handled well and the compositions are well thought out.
I suppose a couple of children using the swings would have added a little 'human element' to the scene; but I'm happy with it as shot.
The only thing I might change is to remove the planes from the sky. Or are they large birds? Either way, they aren't big enough to add any interest. But I'm not really worried about them.
Missed a couple of weeks since I was on vacation. I went to Cologne and Paris. This week pics from Cologne. C&C very welcome.
I've been to Cologne before and the main attraction is the 800 year old cathedral. It is in a classic Gothic style. When you approach it you see the typical ornate heavy blackness associated with that style. However I was stunned when I entered since it basically huge room with glass walls filled with light. I don't know if there are any modern buildings that can match it for scale and light. (It was a cloudy day so the interior shots below have been lightened a bit with Lightroom.)
Here's an exterior.
One of the side windows.
Toward the altar (from a heavy crop).
A panorama that my camera stitched together from a sweep.
I like the perspective of the first shot... The 2nd shot is gorgeous and sets a wonderful mood.
I was on vacation a couple of weeks ago in Paris. Not the best time of year, but hey, it's Paris. Here a couple of shots. C&C welcome.
The Venus de Milo doing her thing, obviously well ahead of her time adopting the saggy pants fashion.
One of Louvre galleries.
Bike sharing rack
Yet another pic of the Pont Neuf.