It really started with the watch hobby - buy 'em as "runs then stops" on eBay, service them and re-sell them - which needed images. Disgusted with typical eBay fuzzy pictures, I determined to do better - only to find out quickly that a Kodak C643 and toy tripod, complete with room-only lighting was not the way to show those eBay Sellers how to do it. So I bought a Nikon D50 body and a micro-Nikkor 60mm f/2.8 lens and armed myself with a couple of CFL (yep) desk lamps - and that's when the rot started to set in
So really, my only interest until recently has been in bench-top photography, usually with continuous lighting. (I do Wifeys eBay stuff, too). Which I hope goes to explain my on-going digs at Real Worlders, people who print, not to mention Professional owners of incredibly expensive gear (you know who you are ;-).
Anyway, here's some shots of my secret life:
Work in progress, a 99-yr old Elgin pocket watch, full hunter (cover over the dial), size 12, 14K rolled gold plated, 17-jewel movement. Quick snap with the Panasonic, IIRC:
A close-up, to record what bits go where. The Panasonic Leica Elmarit 45mm macro is good for those quick shots with it's image stabilization:
And, finally, the fancy shots for when and if I sell it. The missing bezel has been sent off to have a crystal (glass) fitted, which provided an opportunity to show the dial at it's best. Sigma SD10+70mm macro, not a bad shot. 3500K LED floods with tracing paper diffusers and an overhead fluorescent . As you can see, watches are not real sensitive to mixed lighting (another dig, sorry):
A shot of the 17-jewel movement (quite posh for that era, 7-jewel was much more common). Same camera, lens and lighting but final processing in RawTherapee - just to try out their RL de-convolution sharpening which proved to be a tad "better" than USM for this image:
What got you started?