Now that's funny! I don't know about Hogwarts Jack but I did sign up for the Sorcerer's Apprentice Online Course!
I am up to my butt in sliced lemons right now and I don't know how to make it stop!
Hey thank you everyone! I appreciate the comments and it is very gracious of you all to take the time to make them.
I wasn’t really planning on saying how I do some of these shots unless someone actually asked! Not that I mind saying but unless someone actually asks I figure no one particularly cares! But I do take pullback shots including lighting for my own records. I apologize for the crappy pullbacks (lens flare, etc.) but they are for my own records only and are okay for that!
So, since Steven asked, let’s break it down!
The Stage-
I wanted this shot in mid air rather than on a tabletop. Sometimes its more interesting if you are not limited by a surface and I thought this might be one of those kinds of shots. So I simply hung the lemon halves and the knife from a boom arm! I am creating an illusion of what is in my feeble mind and then photographing the illusion!
I took a needle and thread and ran thread through the lemon rinds and I taped the back of the knife handle to a piece of heavy gauge wire. Arranged the scene like I wanted it. Took a base establishing shot.
Then the fun began!
I started tossing liquid at the scene! I didn’t want a “wave” for this one. The trick here was to get water drops instead of a splash. So I used a cocktail strainer over a measuring cup and tossed with that. Gave some wave but a lot of drops through the round holes which was what I wanted. I also took a couple of shots just pouring a thin stream over the lemon halves and the knife blade to get runs/drips on those to add to the “wet” look! I did a number of water shots so I’d have a good choice of drops/patterns to choose from.
Lighting-
Three lights.
One light in a stripbox on the left and raking a diffusion panel, which is pretty much the key light.
One light fired from the right, behind, and low as a rim light wearing barn doors. To add separation and low to get the highlight on the bottom of the knife handle.
There is one light above the scene fired with very low power through a diffusion panel for fill. Also helps get the lemon reflection on the knife blade.
I wanted to fire all the lights across the scene somehow to retain the texture of the lemon. The label on the knife I wanted visible, the logo on the handle must be visible, and the knife cutting edge I wanted highlighted to show that knife is razor sharp. Trust me, it is! One of the tricky parts was the logo on the handle because that logo is glossy and easily blown out.
I also have a reflector in front and to the right and a reflector strip in front of and to the left just out of the frame to help give some gradient on the steel blade.
Post-
Yeah it’s a composite! I took the base shot and added what I wanted from the other shots. Water drops, runoff, drips, etc. The usual massive cleanup and workflow and that was the shape of that! Except it takes a lot longer in post with these kinds of shots. Even when you try to get the lighting and everything right in-camera.
I shoot on a tripod naturally and with a wireless remote so I can move around the scene as needed hosing stuff, breaking stuff, and tripping over stuff!
I was @ f/16, 1/200, and ISO 800. I wanted at least f/16 for DoF. The reason I bumped the ISO was to keep my strobe power down. Typically (at least with my strobes) the lower the power the shorter the flash duration. The shorter the flash duration the more motion stopping power. For this shot my slowest strobe (highest power) fired @160.0 Ws with a t.1 duration of 1/4484 second and was the main light in the stripbox.
I might add that a videographer friend of mine has asked me how I have done some of these shots. I told him I would tell him if he bought me lunch! If he reads this I’m going hungry!
Oh, and Mike? It doesn’t require having a warped mind but it sure does help!