Hi Manfred, I like the image How did you use the blue gel? with flash ?
Basic setup shown in the image:
Two lights with black seamless. Both lights were gelled with a blue gel; I used a snoot on one to give a very hard, direct beam that cast a hard shadow and the second light, with the barn doors and reflector was used for fill light. I moved the lights, so they were not in this position for the posted shot.
Gotta love that shadow! Not to mention the overall concept.
Examine every edge to see if you can't increase the separation between subject and background in a few places to perfect the image.
EDIT: I question your setup; there is no camera on the tripod.
You guys who imagine inventive ways to photograph ordinary objects amaze me. This is not in my repertoire.
I like it a lot, although I can't describe why.
Hi Manfred,
The blue gels work nicely on the cast. Looks great.
I can certainly appreciate the challenges of shooting black on black.
I'm wondering why you chose not to fire a rim?
Mike - Absolutely, the image is all about the shadow, but I'm not having much luck defining the edge along the back side of the tea pot. I brought in a third light, which helps with the definition (I have to hand hold that gel, but find that I don't like the way it lightens the shadow. I shouldn't need more than 2 lights, so I'm going to play with it in the morning.
Good catch on the tripod....
Gotcha! Just curious is all!
Great shot! I really like the gelled light on this.
Very nicely done & a very clean basement!
This is a very nice image of a Japanese teapot Manfred and very unique in a great way! I have never see one shot in this dramatic fashion and it really works with the architectural lines of the pot. I imagine that the designer would love this image as it is really in line the Japanese aesthetic IMHO.
I lived in Japan for a while and love these teapots and the variety of shapes and sizes in which they are made. I only wish that they weren't so heavy as I would have shipped a ton home with me
Agreed Shane. We picked this one up when my daughter was attending high school in Japan and we were over for an end of term visit. My wife picked up a very small one, essentially because of the weight, and she had it at work ever since. Now that she retired (last week), it made its way back home and I have been staring it for a few days.
Somehow dark on dark seemed to be an appropriate way to go and I wanted to accentuate the shadpw form, but the unfiltered light from the strobe just did not seem to look the way I wanted it to.
I agree, Manfred. Everything about the second one is boring compared to the first one.