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Thread: From snapshot to shot

  1. #81

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    Re: From snapshot to shot

    Hi Shadowman,
    I increased for You the area of sun flare on both overexposed shots.And mine were in jpeg too.
    From snapshot to shot

  2. #82

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    Re: From snapshot to shot

    This is the second overexposed
    From snapshot to shot
    Cheers
    Radu Dinu

  3. #83

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    Re: From snapshot to shot

    And now I cropped for You tone mapped hdr
    From snapshot to shot
    and exposure fusion hdr
    From snapshot to shot
    I hope these are usefully for You
    Radu Dinu
    Last edited by Radu Dinu Cordeanu; 10th August 2010 at 04:36 AM.

  4. #84
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    Re: From snapshot to shot

    Yes it was Radu. It looks like my post processing brought out some of the noise.

  5. #85

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    Re: From snapshot to shot

    Hi,
    To clean the shot by cropping could means to give to the onlooker the possibility to think(to fill) in his proper manner the image.Below we see two "uncleaned"shots
    From snapshot to shot
    From snapshot to shot
    and now the same but in my opinion "cleaned"
    From snapshot to shot

    From snapshot to shot
    I must thank to Arith
    Radu Dinu
    Last edited by Radu Dinu Cordeanu; 19th August 2010 at 07:24 PM.

  6. #86

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    Re: From snapshot to shot

    Hi,
    On"A wet day trip to Cambridge" Arith wrote "...two of them not so good were I was in two minds to either do a silhouette of chemneys or take a pic..."When I transformed his b&w image into another one he reminded me "Very nice I that it what you meant but I like dark"
    Ok,I like "dark" but very easy we believe that a dirty dark grey could be black.I recon that this concept is very difficult and less mesurable but I think the old Zone System could help
    Below is what I think to be the place of black into "dramatization" of an image, our customer being our master

    From snapshot to shot

    First was recropping,then I moved(two times) the third chemney to the background with lasso and move tool then I changed the angle of the road with free transform and with liquify filter I curved the left line of the road.I "silhouetted"the building with levels and in the end I transformed into b&w
    Thanks for understanding
    Radu Dinu
    Last edited by Radu Dinu Cordeanu; 22nd August 2010 at 06:03 AM.

  7. #87

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    Re: From snapshot to shot

    Hi,
    Davey did a very nice shot which for me is not creepy(neither shot nor the house).In my opinion the mist or the darkness give such feeling.So I dragged the top right corner on the entire shot with move tool then with erase tool at 2% I covered all area as my taste said.At the end I applied skew transform to increase the top of the house.

    From snapshot to shot

    Thank You
    Radu Dinu

  8. #88

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    Re: From snapshot to shot

    Hi,
    To talk about contrast menu of the camera is not too hardly.When I am on street I know if subject will be a contrast one or not so I put in the camera my choice.Below You see a contrast subject and some choices.You will see the link between contrast and brightness inside the camera

    From snapshot to shot

    Thank You
    Radu Dinu

  9. #89

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    Re: From snapshot to shot

    I have not finish yet Below You see some in camera controls for another kind of subject.

    From snapshot to shot

    Thank You
    Radu Dinu

  10. #90

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    Re: From snapshot to shot

    There are many ways to control the flash light upon a subject.Below You see one.(In the most situations we must combine the controls )

    From snapshot to shot

    Thank You
    Radu Dinu

  11. #91

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    Re: From snapshot to shot

    Hi
    ScoutR presented a full of poetry shot-in my opinion,of course.To underline this aspect - CtrlJ,Adjust colour:adjust hue/saturation:saturation at 70-90,lightness 70-80 and hue at +15,then blending mode for layer 1-soft light and opacity
    as your taste said,around 70%.(time 5 min.)

    From snapshot to shot

    Thank You
    Radu Dinu
    Last edited by Radu Dinu Cordeanu; 4th October 2010 at 05:33 AM.

  12. #92

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    Re: From snapshot to shot

    Hi,
    Today I saw this beauty at "Perspective Correction" chapter of this forum.
    From snapshot to shot
    When I see what is written on the building wall I cannot break my desire for showing another kind of perspective correction control which is under the need to transmit the "hidden informations" i.e sentiments.
    So I tried to build a kind of Great Wall cutting the top side of the shot and stressing the barrel distortion.That is possible with pucker and bloat tool

    From snapshot to shot

    Thank You for reading and understanding
    Radu Dinu
    Last edited by Radu Dinu Cordeanu; 22nd November 2010 at 10:40 AM.

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