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Thread: If we are back on sun-ups and sun-downs....

  1. #1
    davidedric's Avatar
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    If we are back on sun-ups and sun-downs....

    These don't have Izzie's story line, but it was a spectacular sight. Sanibel island, Florida, January

    Dave


    If we are back on sun-ups and sun-downs....


    If we are back on sun-ups and sun-downs....

  2. #2
    deetheturk's Avatar
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    Re: If we are back on sun-ups and sun-downs....

    Very nice Dave, beautiful skies!

  3. #3
    Shadowman's Avatar
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    Re: If we are back on sun-ups and sun-downs....

    Nicely captured, especially the fiery sky.

  4. #4

    Re: If we are back on sun-ups and sun-downs....

    Beautiful.

  5. #5

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    wm c boyer

    Re: If we are back on sun-ups and sun-downs....

    There are those who would argue...and probably will, but...I am not a fan of crispy skies.

  6. #6
    IzzieK's Avatar
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    Re: If we are back on sun-ups and sun-downs....

    I kinda like #1 Dave...it looks more natural. The fiery is astounding but I like the texture and the foreground and everything that went with it in the first shot better.

  7. #7
    davidedric's Avatar
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    Re: If we are back on sun-ups and sun-downs....

    There are those who would argue...and probably will, but...I am not a fan of crispy skies.
    That is a very good point, I will reconsider.

    I'm also going to revisit the second - but honest, I don't think I boosted the colours very much

    Dave

  8. #8
    Stagecoach's Avatar
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    Re: If we are back on sun-ups and sun-downs....

    Impressive skies in both Dave and well worth shooting.

    From my own personal preference (built from spending too much time shooting skies over the sea) I feel that the most successful scenes are where the water compliments the sky either with reflective colour or texture. The problem being you only get what nature provides at that instant

  9. #9
    davidedric's Avatar
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    Re: If we are back on sun-ups and sun-downs....

    The problem being you only get what nature provides at that instant
    Too true! For interest, this is the RAW as presented by Lightroom. I wanted to try to apply George Jardine's approach to the tone mapping. So far as I could see the main "problem" with the image was that there is missing detail in both the shadows and the highlights.I made no adjustments to any of the top sliders in Lightroom (WB, Tint, Exposure, Contrast). Instead, I went down to the next set and started with the Highlights slider - this expands the tones in the top third of the tone curve, compresses the middle third, and leaves the bottom third untouched. Basically, it brings out detail which was previously squashed into the brightest tones. Then I repeated that for the Shadows, which does the same to the bottom third. I then adjusted the white and black points to what I wanted using the Whites and Blacks sliders, and finally added a little Clarity and Vibrance, I expect others could do better of different!

    Dave

    If we are back on sun-ups and sun-downs....

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