Very nice. How many shots were necessary to capture this?
Thanks John
It's a 12 shot stitch at 50mm
Great image Phil!
Thanks David. This was the stitch that finally killed my laptop!
I have a few more images while I was at the gardens of this famous bridge from more traditional angles - my first bit of Lightroom cc practise on Mac coming shortly
Very nice Phil, everything comes together with this - the light, the composition and the detail.
Dave
I am NOT being funny, serious question,
could you have used a w/a lens rather than panorama
Serious answer, Jeremy :-)
Yes I could, and in the past may have done with my 14-24.
But I wanted the extra resolution for wider shots and vistas - I don't own my 14-24 any more as I wasn't using it that much, but solid technique hand held with a 35 or 50 gets me the results I'm after
And you can't see it on this resolution, but it was shot at f2 on a 50 to give separation and a more medium format look to a printed version - a.k.a. Brenizer panorama, but a bit more subtle as I wasn't that close to the bridge
Great shot!
A great image Phil and well worth the technique.
By the way is it a horizontal pan stitch, vertical pan stitch or a mosiac?
Just wondering because I've tried all the above at different times but invariably ended up with obvious distortion from the resulting wide angle.
Beautiful image! I haven't attempted anything beyond stitching two shots, and haven't had great results with that! 12 is incredible!
Thanks Graham. I started bottom right with a portrait orientation sweep of 6 images to the bottom left, followed by another 6 for the top row.
This is an old 1983 lens which doesn't have a profile in Lightroom, so I use the 50mm f1.4D profile through LR, correcting again for vignetting. Then into PRGui for the stitch, and finally Photoshop and Nik Color and Silver Efex
A classic work indeed
Thanks Nandakumar
Nicely done Phil, thanks for the information on the original captures and the post processing.