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Thread: Working the Scene

  1. #1

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    Working the Scene

    It's advice that we are often given but the slideshow in this article features the contact sheet of photographers show us how it's really done. It is presented to promote an exhibit in New York titled The Making of Iconic American Photographs.

    I just wish that I could see the exhibit in person...

  2. #2
    Moderator Donald's Avatar
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    Just add 'MacKenzie'

    Re: Working the Scene

    Good one.

  3. #3
    Moderator Manfred M's Avatar
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    Re: Working the Scene

    Thanks Shane. Great link.

    Unfortunately, there are too many folks out there that seem to thing that the "great" photographers can simply pick up a camera, take a single shot and nail that iconic image.

    I remember being out shooting a couple of summers ago in a National Park, where I was working a scene, when I bystander asked me what I was doing. When I explained, the retort was something along the lines of "with all that fancy equipment you have, you'd think you'd be able to get it in one shot".

    I quietly chuckled to myself and kept on working the shot...

  4. #4

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    wm c boyer

    Re: Working the Scene

    with all that fancy equipment you have, you'd think you'd be able to get it in one shot
    A fair number of us have had to suffer through the "boy that camera show must take good pitchers" scenarios.

  5. #5
    DanK's Avatar
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    Re: Working the Scene

    Shane,

    A great link. Thanks for posting. In those days, there was a real cost to working the scene: you had to reload the camera often, and you had to develop all the negatives, not just 'import' them.

    Dan

  6. #6
    rpcrowe's Avatar
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    Re: Working the Scene

    Dan... and don't forget, you had to buy the film in the first place unless you worked for a company that supplied the film...

  7. #7
    DanK's Avatar
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    Re: Working the Scene

    Richard,

    Oh, I remember. I used to buy film in bulk--much cheaper that way--and load it into cartridges using a changing bag. I would would use the same bag to load the film into a small, two-roll stainless steel tank for developing. Then it was usually another evening before I had time to print contact sheets. Slow, expensive, cumbersome, smelly, environmentally unfriendly (the chemicals), and far less flexible than digital, but I still get nostalgic about it--although not nostalgic enough to go back to film.

  8. #8
    Shadowman's Avatar
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    Re: Working the Scene

    Nice link.

  9. #9

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    Re: Working the Scene

    So glad you all enjoyed the slide show. It is very inspiring and informative for sure and I know I will spend some more time looking through it myself.

  10. #10

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    Re: Working the Scene

    Interesting link Shane. Thanks for posting it.

    Quote Originally Posted by DanK View Post
    Richard,

    Oh, I remember. I used to buy film in bulk--much cheaper that way--and load it into cartridges using a changing bag. I would would use the same bag to load the film into a small, two-roll stainless steel tank for developing. Then it was usually another evening before I had time to print contact sheets. Slow, expensive, cumbersome, smelly, environmentally unfriendly (the chemicals), and far less flexible than digital, but I still get nostalgic about it--although not nostalgic enough to go back to film.
    Not to mention the drying (unwelcome over the bath) and the subsequent spotting of the prints. I still have my 35mm bulk loader - not out of sentiment but because I can't give it away.

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