Very dark on this monitor, I'll check it again later.
Dark on my monitor too which I suspect tends to be a bit bright. 1/50 shutter speed didn't capture the bird very well and the sky doesn't look dark enough while the foliage is too dark. I am sure somebody could do better but I selected the foliage and its reflection and lightened it and then inverted the selection to darken the sky and its reflection.
Perhaps the sky needs more saturation but that is a skill beyond me.
It is a tricky one with the bits of open foliage sticking up into the sky so on a first attempt I had light patches of sky behind the tops so for this second attempt I selected inside the foliage and let the tops be part of the sky and get darker. As to if it works I am not sure ... if it was my shot I would have left it in my filing system
Not sure how spot metering helps here ... but then I rarely use it. Deliberately misleading the camera'scentre weighted meter to obtain the exposure I think is correct etc.
Last edited by jcuknz; 29th July 2015 at 10:19 PM.
That is an interesting idea Joe but my first thought was an adjustment layer with areas selected to only work on them. But possibly you do not have adjustment layers in your editor ... you list your camera gear but not the important editor as like cameras not all are equal to the tasks asked of them. My choice for years has been Paint Shop Pro.
My experience with brushing tools is that unless one is very careful and using them at low intensity it is very easy to make them obvious.
Nice scene, Joe...very crispy water in my opinion...
Nice scene and that's a tough shot.
Sometimes when I'm taking a shot with a great difference between dark and light I will use spot metering.
Using the viewfinder and then try moving the camera between the dark and light until I get the best balance and then use AE-Lock. Will then reframe and take the shot.
Last edited by joebranko; 30th July 2015 at 05:20 PM.