I really like this Mike, it has an abstract feel to it.
Quite creative !
Oh Mike,
I can see this new concept giving you lots of compositional, shadow angle (light distance) and surface texture/colour possibilities - with the added bonus that many will require an open bottle
On this one, I like the framing/cropping placing the glass so it doesn't quite touch the right hand edge.
I do find myself intrigued by the brighter patch of refracted light within the shadow of the bottle at the top edge, almost dead centre - I just haven't decided whether 'intrigued' means I want to see more of it, or whether I'd rather that weren't there, perhaps via a slightly tighter crop along the top edge.
I hope my musings are helpful, Dave
A very interesting angle Mike, I really like how the shadow of the wine glass fades out so softly and the golden glow from the upper stem really compliments itself against the purple background.
I'm guessing the bottle was empty to allow light to penetrate all the way through base. Sorry for that, nothing worse than an empty bottle
Greg
Thanks, everyone!
Dave: I agree that this concept opens up a whole new realm of interesting possibilities including some for use with my upcoming macro lens next year (that my wife doesn't yet know about ). Your musings are indeed helpful.
Greg: You're correct about the empty bottle. A bottle nearly full with red wine produced a boring, dark shadow so I chose an empty one and positioned the front and rear labels to allow light to transmit through parts of the bottle.
Last edited by Mike Buckley; 14th August 2015 at 10:52 AM.
Since I know very little about wine (and glass photography), I usually refrain from commenting on these.
But I make an exception here: This would be a wall hanger for me. I love the colours and the composiition.
BTW: I collect odd-shaped bottles, and old bottles with porcelain caps.
I haven't figured out a way yet of photographing them.
Creative; Imaginative; Different ... and well executed.
Wonderful, Mike.
Thanks, Donald!
Kris: You may be able to purchase the fourth edition of the book for less money than the fifth edition. The parts of the book that explain how to photograph glass are exactly the same, word for word, in both editions.
Kris, if you purchase the electronic version it is much cheaper but either way it is well worth having.
Mike, I totally love this image, everything about it. It also makes me wonder, is there another glass there, is the person enjoying the wine on their own......
Thanks, Rita! It's interesting that the questions the image suggests to you actually never occurred to me. Apparently your imagination is better than mine, which comes as no surprise.