I posted on this about this time last year, but following another thread posted by Steve (botty1963) today, I thought an update with a bit more detail would be in order .....
I finally got a few hours of clear sky last night with Orion at about max altitude. Plus the temp had dropped to about zero with minimum breeze. So tried for the Orion Nebula (M42).
For those who are not into astronomy or astrophotography, the nebula is around the middle stars in the sword and is really only visible as a fuzzy area when viewed in binoculars.
My setup was a tripod mounted Canon 7DMk2 with cable release and with a Sigma 50-500mm telephoto extended to 500mm.
Capture settings:- a sequence of 20 images using a Bulb setting , 1 sec exposure with 5 secs mirror lockup between each capture, all at F5.6, and ISO 5000. (Focus rather obviously was infinity, but my tip is to use the peripheral areas of the focus screen to best assess the sharpness of stars in the viewfinder.)
I also shot a dark frame (ie using exactly the same settings as for the nebula & stars, but with the lens cap on. This is used when processing the images)
(I also shot sequences at ISO3200 and ISO1600, but ISO 5000 gave the ‘best’ out of camera captures)
To process the images I used Photoshop CS6 .
In ACR
1) I identified the ‘best’ capture in the sequence and the pre-processed it in ACR to get the most detail from the image. No sharpening was applied, but I did reduce obvious noise.
2) I then synchronised the process settings from the first image across all the captures, including the dark frame.
3) All images were then saved and opened in Photoshop as a layer stack.
In Photoshop
4) Once opened as a layer stack, the dark frame was copied and placed in the stack so that each image had a corresponding dark frame associated with it, forming a layer pair.
5) Each image/dark frame pair was then processed , changing the blend of the dark frame to ‘Subtract’ and then merging the pair back to a single layer. (You can use a ‘ Ddifference’ blending mode as an alternative.) The purpose of this step is to remove ‘latent’ background signal from the captured image which can be a significant element of this type of capture. Purists would argue that this is not strictly a dark frame subtraction, since it should be applied to the raw capture, but it works for me!
6) Once the dark frame adjustments have been applied, I then adjusted the opacity of the stacked layers from the bottom up, setting each layers’s opacity according to the following sequence (This is a final noise reduction process for the ,stacked images.) 100%,50%,33%,25%,20%,17%,14%,12%,11%,10%,9%,8%,8%, 7%,7%,6%,6%,6%,5%,5%
7) Finally I created a merge layer of the underlying stack. (Once this is done the underlying stack can be deleted to reduce the overall file size.)
General post processing
Having generated the merged stack layer from the last step, I processed for levels, vibrance, hue and saturation, and final image sharpening .
#1 ISO 5000 image
#2 ISO 3200 Image
Hope this helps out there
C&C welcome