Our local municipal Authority has made the short sighted decision that it can no longer support a number of living heritage museums. Some of these celebrate the locality's history associated with the cotton industry. "Living" in the sense that they take the form of working mills that keep the craft alive. Short sighted because once they are gone, unlike other services that might be trimmed in the short term, the mills will never be revived - probably sold for conversion into apartments or commercial spaces. Consequently, I have been trying to visit and photograph some of the activities that are still being carried out.
"Peace" is a tandem compound steam engine built in 1894 to power one of these mills. It still runs today, producing 500hp with nothing more than a whisper. I suppose the images that follow are a sort of visual essay on this machine.
Fuji XT plus Fuji 18-55mm/14mm and a Samyang 8mm Fish Eye lens.
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Made at a time when design could afford to be more than just utilitarian.
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The old compared with the new.
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Some of you may be familiar with this but it fascinated me. This is how the main crank bearing is lubricated. The sump on the rail drip feeds the circular tank which because it is on the centre line of the flywheel shaft, spins but does not move laterally. The pipe from the tank to the crank bearing however, rotates. It is consequently subject to centrifugal force as is the oil inside the pipe which as a result is forced into the bearing. No pump needed, just a simple and elegant solution to a lube problem.
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Had to try and find something a bit "arty".
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The primary cylinder, the steam from which is used a second time to drive the oppositely opposed (lower pressure) secondary cylinder on the reverse stroke. (hence "tandem compound" engine).
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The Secondary cylinder.
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The boiler House. The Gentleman (volunteer) was kind enough to open the firebox for me and remain in the shot. I hope by now he is the proud owner of a copy of this image that I've sent to him. (two merged images. One exposed for the firebox and the second for the remainder of the room.)
My one regret was that I didn't have a wide enough lens to capture the two cylinders and their relationship to each other in one shot. I may go back properly equipped.