Looks like barely controlled chaos. And you captured that in the shot. This one is in serious need of some PP to cut the haze and bring out the colors.
Thanks Dan... It was tricky exposure as the sky was very bright and the canal was in the shadow of the surrounding structures. I took a call to expose for the action and risk a bright sky... while it's not blown out (checked the levels); it is very bright. I did crop out the sky but had to retain that bit to ensure that i was able to compose it right.
One day................
But it has given me an idea as I am off to Cape Town next week and may see if I can seek out a market whilst I am there - they are such vibrant places
A couple of thoughts on this one. I find these shots tend to work better when the majority of the people in the boats are looking towards the camera. There are cases where seeing the backs work well compositionally, but in the majority of the cases it doesn't.
We had been discussing B&W vs colour in a different thread. This is one shot that I might try in B&W.
This is a very interesting shot, Ashish. Now I wonder if customers/buyers can go on a boat too and buy goodies or are they just confined to the platform and order. If so, does the boat come closer to a platform to finish the negotiation? How does this kind of transaction work? Just curious...I like both version, yours and that of Manfred's.
Exactly for the reasons you stated - multitude of colours and busy scene, so simplification by going B&W is an approach worth exploring. In this case, I won't suggest one is better than the other, but both are options. My tendency is to shoot colour in this type of setting, but to a large extent this is very much a street photography situation, so I felt B&W would likely work well here too.
The most significant difference I notice between the two versions is that the Thai woman gets lost among the tourist boats in the colour version, but she holds her own in the B&W and I like this particular impact of the conversion