I don't know about the other Nikon models, but I knew that the "live" histogram on the D800 can be seen when one hits the "info" button, while using LiveView. I wonder how close this is versus the meter reading?
Size wise, it's tiny (about the same size as the histogram I get on the screen / viewfinder on my Pany GX7) and I don't use it there either.
Apologies to David for drifting a little off topic but I feel I should clarify a couple of things about my post 37 above. I was actually referring to exposure simulation in LV mode ie the view you get matches the view you will get when you make the capture.
This is not available on my D610 and I doubt that it is available on the crop cameras (except maybe the D500 ?). I'm not sure about the D750 but I do believe it is available on the D800/D810 ?
The same applies to the live view histogram.
Dave
Yes Grahame, if you are in manual LV mode and exposure simulation is happening, as you change the ss or aperture, the view should become brighter/darker and the histogram should change accordingly. This doesn't happen with the D610. Almost the reverse happens, the screen brightness adjusts itself to a somewhat constant value irrespective of what the actual light level is.
I use the term "exposure simulation" because it is a term used by Canon.
Dave
Oh dear... This looks like the same "exposure preview" PITA all over again.
Fuji and Nikon
like two opposite sides
of the same river
EDIT. To clarify:
X-Pro1, D610 - the LCD in the manual mode does not reflect the actual exposure
X-T1, D800 - exposure preview/simulation is working, WYSIWYG.
Last edited by dem; 28th July 2016 at 12:40 PM.
Just to come back on my own post (#35) on the question of learning how to get the best out of a Sekonic L-758DR meter.
Now that I have an idea about what I'm doing, I went back to the Manual to go over again what I've learned from the videos to which I referred in that previous post. I am staggered by how little the Manual tells you.
If you were to rely on the Manual as your source of instruction on how to use the meter, you would know very little about what it can do.
Now, I know we say the same about all manuals, but this is exceptional in my experience. We usually think of Manuals as telling us how to operate something, not how to, for example, make great pictures. But in this case, they key processes for best measuring light are not mentioned in the Manual at all.
By industry consensus, a manual is designed to explain how a product works, not how to use the product. As an example, a manual explains where the shutter release button is, not when to press it.
Last edited by Mike Buckley; 28th July 2016 at 01:49 PM.
So true! I have even found software and hardware manuals to be inaccurate. As just one example, I convinced Epson to give me coupons valued at $300 toward a future purchase because the manual pertaining to their digital projector I had bought was just plain wrong and highly misleading about a particular capability that was important to me, because the people at customer support were not familiar with either the product or its manual, and because I in effect became their consultant that taught them information they and the authors of the manual didn't know.
Experts are not always EXPERT... The tongue in cheek definition of an "expert" is: Someone from out of town who has a Powerpoint Presentation
I once attended a Canon presentation on the use of Canon hotshoe flashes given by a guy who is employed by Canon and is all over YouTube as an Canon Expert.
He was talking about High Speed Sync and I asked him, "Since when you are in HSS mode and your shutter speed goes below the maximum for the camera flash combination (1/200 second for some cameras and 1/250 second for others); the sync will revert to normal sync, why even have a HSS setting. Why not just have the camera revert to HSS when your shutter speed is faster than the maximum and revert back to standard sync when the shutter speed is slower than the 1/200 or 1/250 second max shutter speed That is the way I have my camera/flash combo set up
The "Expert" did not know that this happens with Canon cameras and denied that the sync worked that way. I had to point it out to him in instruction manuals. He certainly was not very gracious when I did so
Thanks for that, Dem. It sure is confusing, and the comment about not knowing why Fuji decided to do things that way is therefore very helpful. I'll need to get my camera back from repair (sent in just a couple of days ago) to sit down with it and work through what you're saying, but I feel I'm on the way to getting a grasp of it.
However...
being without my camera for the next few days, I can't definitely say, but I seem to recall the histogram being visible while in shooting mode and changing according to where I pointed the camera. That's what I thought ETTR was all about.The histogram is shown not for the image you are about to take but for the image currently displayed on the LCD.
Last edited by tripbeetle; 29th July 2016 at 02:28 AM.
Having "exposure preview" OFF can be useful when you are trying to take a picture at a concert/church/event where shining a torch at people or using camera's focus assist light is not an option. Or you are using flash as the main light source, or doing long exposure etc...
This is exactly where electronic viewfinders have an edge over the optical ones and such advantage is sure going to be explored by the marketing and burnt into camera's default settings (sometimes without an option of changing it).
I know your camera does not have a built-in viewfinder and can have "exposure preview" ON or OFF, so the last paragraph is not really relevant to you.
As it should do.
ETTR is about making sure that the histogram is almost touching the right hand side of the scale. This is mainly done by changing exposure parameters in the manual mode or by applying exposure compensation when auto exposure is engaged.
Hi Dem, thanks for that. I've read your post #40 several times, but I'm afraid I won't be able to grasp the gist of it (especially "The histogram is shown not for the image you are about to take but for the image currently displayed on the LCD.") until I get my camera back again and can do some more fiddling. Will have to retire from the discussion until then, I think.
David, the X70, if it's anything like my X100T in EVF mode, does have a live histogram that can show you the data for the shot you're about to take; most dSLRs, by the nature of their optical viewfinders, do not, and only show a histogram on image playback.
A dSLR optical viewfinder isn't the same as liveview on the LCD on the back of the camera or in an electronic viewfinder. Instead of getting all data from the sensor, you're seeing the same light that's coming in through the taking lens that the sensor sees. The light is split by a mirror in the camera--part goes up into the camera's viewfinder, and part goes to the autofocus sensor array. When an image is being taken, or liveview is engaged, the mirror diverts the light that would go to the viewfinder to the main image sensor.
With this type of optical viewfinder, setting information is typically on a frame around the image area as you look through the viewfinder. The only information overlaid on the image area may come from an LCD sandwiched with the focus screen, if the camera has one--most of them don't. Since dSLR users tend to use the viewfinder more than the LCD for composition, that means a lot of liveview features, such as exposure compensation, focus peaking, or a live histogram are rarer in usage for dSLR shooters. It's also why tools like the light meter become verra handy in their absence.
For a lot of dSLR users, the only histogram they can see is the one on image playback. "P&S" camera liveview features tended to trickle back to dSLRs relatively slowly. My first Canon dSLR, the XT/350D, didn't even have liveview, let alone exposure simulation--both features, my much-older Powershot S30 always had.
Hi Kathy, thanks for that. I, too, interpreted Dem's comment as meaning that the X-series histogram was available only in playback mode, but apparently that's not what he meant. I'll have to wait till I get my camera back to work on that one.
But your explanation very much clarified the situation between DSLRs and P&Ss. From what you say it seems that DSLRs tend to be based on a more cerebral - as opposed to intuitive - approach to photography.