This image shown below displays the same glass bottle included in my first photo of it. This time I used a completely different approach to the display of its embossing. Most important, I intentionally didn't display all of it so the viewer perhaps wonders what the words are at the bottom of the bottle. Second, the painted letters don't stand out as much as in the first image (again by design) and instead lend to a softer look that is in keeping with the mood of the rest of the scene.
Please click to view at a larger size to appreciate the detail.
Setup
As in the other image, the tabletop is wood and the background is textured art paper that looks like textured plaster when lit this way and presented in this context. Also as in the other image, a flash light on the left side of the scene shines toward the background. The light bounces off the background to light the tabletop and the inside of the bottle. A second flash light in the front left area is shining mostly away from the scene but some of the light bleeds onto the books and baseball to add detail to that area. The tabletop and an unused wooden paint stirrer about the same color as the tabletop reflects additional warm light into that area. A sheet of translucent vellum is in the right rear area and a strip soft box fitted with a speedlight is touching the vellum at a 45-degree angle. That setup creates the gradient reflection on the right side of the bottle. The first capture was made properly exposed for the entire scene. A second capture was made at 2 stops greater exposure to brighten the top of the bottle. Without that extra exposure, the top of the bottle would not have appeared translucent. That area of the second capture was then merged with the first capture.
For those who really get into this stuff, it might be interesting to understand my very different approaches in the two images having to do with the reflection on the right side of the bottle. In the first image, I wanted the reflection to be just a sliver. So, I positioned the translucent vellum and shined a continuous-light lamp through it to produce a hard edge on both sides of the reflection. In the second image, I wanted the reflection to be relatively larger so it would bleed into much more of the lettering identifying the name of the store. If I had produced the reflection the same way as in the first image, the hard edge on the left side of the reflection now in the middle of the lettering would have competed too much with that lettering. Instead, I positioned the vellum and replaced the continuous light lamp with a strip soft box positioned as described above. The result is an elegant gradient that in my mind enhances the scene but doesn't compete with the lettering.