Ganesha 1- C&C are welcome !!

[Tejal]

Kindly share your C&C for my below images.

Regards,

Tejal

Untitled-1-Recovered by Tejal Imagination, on Flickr

IMG_8143 as Smart Object-1 by Tejal Imagination, on Flickr

[madcrow]

Tejal, two nice images and colourful as usual. Pity about the pole in 2.

[Tejal]

Tejal, two nice images and colourful as usual. Pity about the pole in 2.

😕 I know. . Tried my best to avoid but from no where it was possible. .

Thanks for your comment.

[Dave A]

#1 is defiantly thought provoking and unusual. I like it very much.

Dave

[Shadowman]

Nicely done, many images in one and both tell a partial story.

[Tejal]

#1 is defiantly thought provoking and unusual. I like it very much.

Dave

Thank you Dave.

[Tejal]

Nicely done, many images in one and both tell a partial story.

Thank you John .

[bje07]

Very good pictures.

[Tejal]

Very good pictures.

Thank you Jean.

[bnnrcn]

Hi Tejal I especially like #1.

[Dave Humphries]

I congratulate you on seeing and capturing #1 so well.

I like:

That it shows a left and right leg
However, if it had been posed so they were in a more natural stance, it would have looked too contrived, so I'm glad you didn't do that
The splash of red paint on his toes nicely match the painted toe nails of the Ganesha, did you arrange or do that?

My only very minor criticism is that ideally I'd have left another toe nail's worth of space on the left hand side (in front of the foot), but perhaps you needed to crop to avoid something distracting.


#2 has a few 'little bright things' I would clone out (if it were mine) to avoid the attraction they have on my eyes:

The dangling string above his head
The fingers peeking out beside his right shoulder
The left most straight lonesome bit of straw on floor to our left (his right)

The pole is unfortunate, but I accept it is part of the building and therefore unavoidable (without a taking couple of carefully aimed shots and doing a lot of cloning), fortunately it's colour merges as well as can be hoped for.

HTH, Dave

[Tejal]

Hi Tejal I especially like #1.

Thank you 😊.

[Tejal]

I congratulate you on seeing and capturing #1 so well.

I like:

That it shows a left and right leg
However, if it had been posed so they were in a more natural stance, it would have looked too contrived, so I'm glad you didn't do that
The splash of red paint on his toes nicely match the painted toe nails of the Ganesha, did you arrange or do that?

My only very minor criticism is that ideally I'd have left another toe nail's worth of space on the left hand side (in front of the foot), but perhaps you needed to crop to avoid something distracting.


#2 has a few 'little bright things' I would clone out (if it were mine) to avoid the attraction they have on my eyes:

The dangling string above his head
The fingers peeking out beside his right shoulder
The left most straight lonesome bit of straw on floor to our left (his right)

The pole is unfortunate, but I accept it is part of the building and therefore unavoidable (without a taking couple of carefully aimed shots and doing a lot of cloning), fortunately it's colour merges as well as can be hoped for.

HTH, Dave

Thank you Dave for your feedback. Since I do street photography more, almost all my shots are candid, without making corrections in original situation.

In #1, I also felt that it is bit tight in left. I have another shot too, which has little more space in left but would have required more PP work. In left,
there was another idol which I have avoided here.

They all were busy doing their work. And I have tried my best that my presence or my movement don't affect their work. Their workshop was temporary. Light was also very less. I have some other shots which I will share with you all. Those shots will give your fair idea about the working condition.

Thanks once again. ☺

[Dave Humphries]

In #1, I also felt that it is bit tight in left. I have another shot too, which has little more space in left but would have required more PP work.

In that case; you could always extend the canvas on the left hand side on this shot and just clone in some more of the adjacent dark background.

They all were busy doing their work. And I have tried my best that my presence or my movement don't affect their work. Their workshop was temporary. Light was also very less. I have some other shots which I will share with you all. Those shots will give your fair idea about the working condition.

I quite understand your wise approach to photographing them while they are working.

From these, taken with others you have posted in previous years, I can imagine the conditions.

[Tejal]

In that case; you could always extend the canvas on the left hand side on this shot and just clone in some more of the adjacent dark background.




I quite understand your wise approach to photographing them while they are working.

From these, taken with others you have posted in previous years, I can imagine the conditions.

Thanks Dave !!

Yes that I can do easily .