Originally Posted by
Brev00
You can only work on an image so much and then one can lose the immediate connection one had when taking the picture. Personally, I would hope you do get to connect with her again. There is nothing like working the scene, having a chance to delve into a subject and take many images from different angles and perspectives. Here, I don't think anyone has mentioned the green roof of the building in the background. I would try to find a background without such distractions. In the original, her foot seems to be cropped. I might have tried a landscape orientation to get all of her and the horse. I would go either way: all of the horse for a full and relaxed composition or a tight closeup like your last edit. One reason I like the closeup is the way her body lines echo the frame and she is placed more dynamically on the side with her arms and legs forming clear diagonals. My eyes go more to her face and then down and the roof is less prominent in my viewing becoming more of a colored shape and less a distracting object. The more contrasty take that many prefer is an artistic choice. Given cloudy conditions, lack of contrast can be a natural component of such a shot and can be added to taste in pp. If you really want to emphasize the lines in the shot, consider a black and white conversion. A high key black and white can be a natural way to work with cloudy conditions. In this image, there is not much to the colors except for her skin tones and the little red part of her pony tail band and the conversion would eliminate the greens.