This photo is really nostalgic for me because it was nearly five years ago when I began a disciplined approach to tabletop photography with a serious study of the fabulous book, Light: Science & Magic. My first photography task while going through the book was to replicate its exercise involving a shiny metal spatula as the subject. That exercise demonstrates that shiny metal can be easily lit to appear in a range from very bright to very dark tones, depending on what we want to happen. The spatula shown below is brand new and was never used as a cooking utensil, so I decided to photograph it before it becomes filled with scratches.
It would have been relatively easy to photograph almost all of the spatula in bright tones with little tonal variation. However, now that I have been doing this stuff for five years, I decided to challenge myself to make an image that accomplishes three goals: render both the top and reflected surfaces of the spatula in an interesting variety of tones, display all surfaces of the spatula no matter how small separated from their adjacent surfaces and use relatively dramatic lighting.
Notice that as if those goals weren't challenging enough, I also decided to include the curved shape of the shiny metal skillet in the scene. Fortunately and surprisingly, that decision proved not to be problematic because nothing specific to lighting the skillet was required.
Setup
The tabletop is glossy black acrylic. The background not included in the scene but being reflected in the tabletop is translucent glossy white acrylic. (It was not lit from behind as in many of my recently posted images. I could have used any relatively smooth white surface but used the acrylic because it was already in place from my previous tabletop sessions.)
A small continuous-light lamp in the front slightly to the right of center lit the overall scene. It was positioned especially to light the center of the top surface of the spatula brighter than the rest of the spatula, to brightly light the sides of the holes in the spatula and to define the shape of the egg with a soft shadow. Another small continuous-light lamp on the left side lit that end of the underside of the spatula so that area of its reflection displays a small amount of brightness for additional tonal interest. A flash light on the front left side added the bright area to part of the tip of the spatula. A polarizer eliminated a small spot of glare that was on the egg. (There was no risk of eliminating intentional glare on the spatula or skillet because a polarizer has no effect on metal surfaces.)