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Thread: Sleeping in the corner

  1. #1

    Kipping in the corner

    Sleeping in the corner
    This old alabaster tomb is up against the corner of the chancel, at the side of the altar. (Stoke Dry, Rutland)
    Canon 70D, 17-85mm.
    Last edited by Davejl; 25th April 2017 at 12:03 PM. Reason: changed to rhyme

  2. #2
    Shadowman's Avatar
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    Re: Sleeping in the corner

    Nice shot.

  3. #3
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    Re: Sleeping in the corner

    A man and a woman in the corner. You have a nice exposure there...

  4. #4

    Re: Sleeping in the corner

    Quote Originally Posted by IzzieK View Post
    A man and a woman in the corner. You have a nice exposure there...
    Thanks Izzie. Two exposures actually, combined in Photomatix. Thought it was about time I made use of my tripod and the poor weather didn't matter indoors.

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    rpcrowe's Avatar
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    Re: Sleeping in the corner

    Nicely done... These old tomb sculptures are wonderful to behold...

    As in this Jude Maris Photoshop reconstruction of Henry II of England, the father of Richard the Lionhearted and King John Lackland...
    https://www.youtube.com/watch?v=3fXM-_slRxE

  6. #6

    Re: Sleeping in the corner

    Quote Originally Posted by rpcrowe View Post
    Nicely done... These old tomb sculptures are wonderful to behold...

    As in this Jude Maris Photoshop reconstruction of Henry II of England, the father of Richard the Lionhearted and King John Lackland...
    https://www.youtube.com/watch?v=3fXM-_slRxE
    Thank you Richard.
    One of the most impressive is the tomb of Richard Beauchamp, Earl of Warwick, in Warwick, the main figures cast in metal. I don't know whether you know it, whilst not far from me the Earl of Rutland tombs at Bottesford are one of the finest collections in England. I must post some on here.

  7. #7
    terrib's Avatar
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    Re: Sleeping in the corner

    Very nice tones in this. Good use of multiple shots, I'd say.

  8. #8

    Re: Sleeping in the corner

    Quote Originally Posted by terrib View Post
    Very nice tones in this. Good use of multiple shots, I'd say.
    Thank you Terri. I try to avoid an obvious HDR look and so like to use either the default or natural settings in Photomatix and then try not to overdo the local contrast and saturation. If I were more accomplished with Photoshop, I'd probably get the same effect that I want by combining the (2 in this instance) shots by masking. Exposure-wise it is usually keeping detail in the windows which I find the challenge when shooting in churches.

  9. #9

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    Re: Sleeping in the corner

    Quote Originally Posted by Davejl View Post
    Thank you Terri. I try to avoid an obvious HDR look and so like to use either the default or natural settings in Photomatix and then try not to overdo the local contrast and saturation. If I were more accomplished with Photoshop, I'd probably get the same effect that I want by combining the (2 in this instance) shots by masking. Exposure-wise it is usually keeping detail in the windows which I find the challenge when shooting in churches.
    Beautiful image of a beautiful tomb. I like old things. Personally I would have used some more difference in brightness between this room and the other room to accentuate some depth.

    I wonder where those figures on the tomb stand for. They change, it looks they're trying to tell a story.

    George

  10. #10

    Re: Sleeping in the corner

    Quote Originally Posted by george013 View Post
    Beautiful image of a beautiful tomb. I like old things. Personally I would have used some more difference in brightness between this room and the other room to accentuate some depth.

    I wonder where those figures on the tomb stand for. They change, it looks they're trying to tell a story.

    George
    Thank you, George. I presume you mean that the bit through the inner window should be lighter? In which case, I did't want to draw too much attention to the side.

    There are lots of ordinary village churches in England which have tombs of the local gentry. This is the lord of the manor and his wife, with their children around the tomb chest (including a swaddled baby). The lady on top has her hands clasped in prayer, holding presumably a pious book (Bible or prayer book). They are members of the Digby family and were the grandparents of Everard Digby, one of the Gunpowder Plot conspirators.

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    Re: Sleeping in the corner

    Quote Originally Posted by Davejl View Post
    Thank you, George. I presume you mean that the bit through the inner window should be lighter? In which case, I did't want to draw too much attention to the side.

    There are lots of ordinary village churches in England which have tombs of the local gentry. This is the lord of the manor and his wife, with their children around the tomb chest (including a swaddled baby). The lady on top has her hands clasped in prayer, holding presumably a pious book (Bible or prayer book). They are members of the Digby family and were the grandparents of Everard Digby, one of the Gunpowder Plot conspirators.
    I mean darker. Something as 3 layers: outside light, first room dark, tomb room light. Leave something to the imagination. Well, it's personal.
    Thanks for the explanation.

    George

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    Re: Sleeping in the corner

    Very nice; i am curious to see them from another angle...

  13. #13

    Re: Sleeping in the corner

    Quote Originally Posted by Wavelength View Post
    Very nice; i am curious to see them from another angle...
    Thank you Nandakumar. This tomb is unfortunately in a rather awkward place, so not very easy to photograph. A different shot would entail going beyond the altar rail, something I don't feel is really appropriate to get photos.

  14. #14

    Re: Sleeping in the corner

    Quote Originally Posted by george013 View Post
    I mean darker. Something as 3 layers: outside light, first room dark, tomb room light. Leave something to the imagination. Well, it's personal.
    Thanks for the explanation.

    George
    Thank you George. I'll try this, because I did actually take 3 bracketed shots here, so have a darker to hand.

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