+1 to Richard's thoughts, Rajneesh.
The woman is the focal point of this image; all of the leading lines; the stairs, the gutter and the pipe's lead the viewer's eyes up towards her. While the hands on the wall are an important compositional element, they play a more minor role in this image. I would definitely brighten up the woman and would also darken up (slightly) the areas behind her.
I would also go with the vertical / portrait orientation that Richard used, as it eliminates much of the unnecessary negative space on the left hand side of the image. I think a 4:5 ratio would probably work here.
One question for you: What is the significance of the painted red hands on the wall? I remember seeing this quite often in Nandgaon and Barsana.