I love it. Of course, I love minamalist stuff, so I'm a bit partial.
13 stops! Holy crap. I have a 6 stop filter which I love, you must have stacked them.
I *MAY* have removed the electric poles/wires, but not sure.
I like the texture of your sky balanced by all the lines from the fields. Good choice of B&W.
I took a similar photo recently on my travels to Pullman.
It works well for me Donald, even though it's not square
I must admit I'm becoming a fan of images where a large area has had detail removed to concentrate your viewing more on the subject/s.
I like it, especially the clouds.
Nicely done.
It's lovely Donald.
I love it. My only 'complaint' is I think you could safely reduce the sky a tad. Having said that, it is one of your best.
Cheers Ole
Initially I thought the sky and ground balance was too heavily skewed towards the sky. After mulling it over for several hours and revisiting the image several times it has grown on me . Quite like the effect now
Just my sort of image.
Excellent work Donald.
First things first. It is a deceptive shot. At first I thought it was a shed behind the jelly roll. The fields being the roof and the posts being the support structure.
Secondly I like the shot.
I am lousy with definitions but I have trouble seeing a 7 layer shot as minimalist.
I have to dissent from the near-universal praise for this shot. It is simply that I do not like these long-exposure skies (or waterfalls). They just strike me as too artificial. That is the photo does not look like the subject. I realise that this is a purely subjective assessment. In this case in particular, the sharply-defined foreground is incongruous against the blurred sky.
Chacun a son gout.
John
Yeah @Lovelife65 I think I would also clone out the wires/ poles right on the horizon line as once seen they do draw the eye and work against the minimalist concept.
@JohnRostron Long exposure was also something of an uninspiring thing to me too until I realised that by slowing the shutter speed the camera is capable of recording things that we humans cannot ever possibly see.
Our brains process images instantly (1/25th second) and don't add up pictures of scenes the way a long exposure does therefore a technique ( tumbling/swirling water is an obvious example) producing its own unique effects.