That is definitely an unnecessary dig Ted.
When I look at your explanation of the colours in your file, that is fine, but I'm not convinced the same thing has happened with Brian's image. Your white balance and exposure look fine, but I'm not convinced these elements are optimal in his image.
Sorry, Manfred. You are quite right.
You see, the only way you could have assessed my images is that they contain elements other than the subject; just like Brian's other shots (lizards, etc) did not show the issue. On the other hand, Brian's image frame is full of the flower and nothing but the flower; that makes it harder to assess and that indeed is why the histogram looks like it does with next to no blues and that is why a slight reduction in saturation brings those blues bouncing back.When I look at your explanation of the colours in your file, that is fine, but I'm not convinced the same thing has happened with Brian's image. Your white balance and exposure look fine, but I'm not convinced these elements are optimal in his image.
Last edited by xpatUSA; 23rd July 2018 at 10:59 AM.
Ok the images are not SOOC. But the subjects on either side of this flower show very normal color representation. When I take this shot and turn it into B&W is shows lots of blue.
This is a seriously saturated flower. The petals are deep and rich and the yellow, even in the shade hurts your eyes.
Even so Brian your sensor itself should capture the petal colors irrespective of their color saturation - well, chromaticity, to be more precise. See figs. 5b and 6b here:
http://kronometric.org/phot/gamut/Ca...ysisGamuts.pdf
Have you tried looking at the flower in the ProPhoto working color space (aka Kodak ROMM) yet?
It sounds like the flower might be close to the edge of human vision at around 570-580nm, see also real world color gamut below.
Still, I would not expect gamut-clipping in the raw data and certainly not in ProPhoto. Others may not agree with that.
Last edited by xpatUSA; 23rd July 2018 at 09:33 AM.
What you miss is the fact that the subject (flower head) fills the entire frame. Therefore, the histogram shows only that part of the scene and will not look the same as that for a normal shot which has a background and/or other subjects. So if, after conversion from raw to RGB, there is a lack of blue in the petals - the histogram will show exactly that.
This is not rocket science - does nobody here have an app where they can select part of an image and show the histogram of the selection as opposed to that of the whole image ?? And, if so, would they not expect that the histogram of a selection to be different than that of the whole image ??
In Brian's subject image, cropping out everything but the petals has effectively made a SELECTION from the scene; and the histogram reflects that.
Does anybody get that?
Last edited by xpatUSA; 23rd July 2018 at 11:02 AM.
I do understand that.
If Brian states the color are as they are in real that would be normal. As stated in a very simplified post there're over 65000 combinations without blue in 8 bits.
And if somebody states there should be blue in it then I wonder where that's based on. I'm still missing something.
Brian,
I reread your first post again. There's blue in your image. A little but nearly every pixel has some blue in it.
Yellow is a combination of red and green, additive colors. It goes from red-orange-yellow-?-green. I don't know the names. From Wiki
Your flowers are orange.
George
It would be infinite easier to draw reasonable conclusions if the original file were posted with no editing nor cropping. There are a lot of ways reflective light can affect natural saturated light. Building a zillion diagrams on color balance won't help on an already edited image.
George,
Nature. No one contested that it is mathematically possible to have colors in that space with no blue. What Ted explained is that this would rarely or never occur in nature, when photographing actual flowers.As stated in a very simplified post there're over 65000 combinations without blue in 8 bits.
And if somebody states there should be blue in it then I wonder where that's based on.
That's not what I found when I opened the image in Photoshop. I found that most pixels I checked were B=0, and the few with blue were typically B <=3. Nothing like my own yellow flower photos, where it is hard to find pixels with B<35.I reread your first post again. There's blue in your image. A little but nearly every pixel has some blue in it.
Chris,
Exactly so. You beat me to it. I was in fact checking the thread to see if that had been done when your post arrived.It would be infinite easier to draw reasonable conclusions if the original file were posted with no editing
I don't know Capture 1, so I don't know how one would to this in Capture 1, but what we need is the most neutral rendering it will provide. It's presumably easy to set all adjustments to zero, but this will also depend on the initial rendering choice (or, at least, it does in ACT and LR, which I use).
If there is blue in the original capture, then it's clear that one should look in the editing to find the cause.
Ted is absolutely correct. When I go to -20 saturation there is blue in the yellow.
How did you get the SOOC? Did you shoot raw, and if so, how did you produce the image you posted? I'm still trying to figure out where that degree of saturation was introduced.
BTW, although I would crop it a bit, I much prefer the uncropped to the original. The original shows a few fine details but is mostly featureless, out-of-focus yellow. The original is a much more interesting photo, IMHO.