I think this is a very powerful image--considerably more so than the first. The lines formed by the stairs and bannister work well also.
I have only two suggestions. Even though you have the faces above the center, the image is top-heavy, in part because the upper area is so dark. Also, the boy's face is very dark. If it were mine, I'd crop roughly to the "rule" of thirds, which I think works well in this case, and dodge the boy's face a bit.
Yes, maybe crop the top to end up with something like 5 x 4 ratio?
Thanks for the feedback
@manfred : I'm surprised that the handrail makes so much difference, the upper stair treads too. I will definitely revisit this. Thanks for the suggestions.
Things that attract the human eye are:
1. Bright areas;
2. Areas of high contrast; and
3. Areas of highly saturated colours (not an issue in B&W).
If you look at any of the classic masters (Adams, Karsh, Cartier-Bresson), they or their print makers would spend hours in the darkroom making local exposure adjustments (dodging and burning) to fix these problems.
While I did burn down the spots that you noticed, I also dodged the people just a touch to make them stand out more from the background.
A strong captue and the suggestions above are terrific to enhance this piece.
Looks good now.
I agree with Manfred about the handrail. I hadn't thought about it in writing my quick reply.
You clearly have a winner here, and I'd encourage you to do your own re-editing, interpreting the comments as you will.
This redone version is much stronger. Well done!
Superb image David.
Very much improved, David.