Another Harvestman; and an even stranger looking specimen.
Dicranopalpus ramosus originated from Morocco and reached the UK during the 1950s. They are mostly found around ports which had trade with North Africa or Southern Europe although they have colonised much of Europe now; and are gradually expanding their range in the UK.
And a close up.
Body length is around 5 mm with legs up to 50 mm. Sitting with legs fully outstretched like this is a typical pose for them.
Last edited by Geoff F; 30th September 2011 at 05:52 PM. Reason: photo added
Dear Chris,
You are doing a great job capturing these jumping spiders. I dont know if you have heard of Thomas Shahan. Look up his great work on Flickr. Your capture is also great. I am wondering if you could share your setup with us- lens, flash, aperature etc. I am envious you have so many where you are. I finally had one land on my computer at work the other day. I put it in a urine sample jar and took it home to photograph. Ive never seen one in Nature yet.
Cool rig Chris. Couple of questions if you don't mind.
Any particular reason for making a diffuser instead of using those simple snap on versions?
What is that collar like thing around the lens?
Can you also post pics of the home made equipment?
Thanks.
I have a tripod collar on there. I used to have the bracket screwed to it. Now I have a flat piece of aluminum with a tapped hole mouted on the bottom of the camera.
The bracket is made from Ram GPS mount parts. Here are the part numbers.
2x RAM-B-237 one on both end, it is a 1/4" male threaded ball (standard camera/camcorder screw)
2x RAM-B-201-A the shortest arms
1x RAM-B-230 double ball to connect the arms.
http://www.ram-mount.com/EmptyPages/...6/Default.aspx
I have a couple of different difusers. I always come back to the home made ones for some reason. It's made from a instant noodle bowl. A piece of folded white card attatches it to the flash head. A paper towel for the difuser part.
The reason I stopped using the tripod collar, it seemed like a too much weight on the lens.
Last edited by chrisa62401; 11th October 2011 at 04:48 PM.
Thanks for the quick reply.
I have the extension tubes and the flash. Can get a bracket at a very good price (or make one like you have). Of course missing the most important component - the lens. Cannot decide between the Canon or 3rd party offerings.
Bobo. I tried those push on plastic difusers (the genuine Sto-fen version) but didn't like them for macro work. Although they can sometimes give better colour for general indoor flash photography when shooting with the flash at a 45 degree angle.
So I always seem to return to a straight forward Speedlite flash but adjust the flash compensation to suit the scene and camera settings. Typically minus 2/3 to minus 2 with 1/250 F14 and ISO 100 or 200 all set manually.
Shooting Raw gives me a chance to change the WB during editing.
When using the Speedlite in Evaluative Flash Mode the output is automatically reduced to suit the conditions and camera settings. If a faster shutter speed is required I switch to the High-speed Flash Mode.
And for me, when frequently shooting through gaps in the foliage I find that connecting the flash straight onto the camera gives a better flash angle. Lighting from above often means shadows where I don't want them. But studio work, etc can have different requirements.