Sorry, I don't have a solution.
I do have a question: did you use mixed lighting here (flash/daylight + incandescenct lamps)? I'm asking as the spot in the hair and her left shoulder (camera right) look a bit warmer than the rest (especially visible in Sahil's edit).
Also (but this is more a question for Colin and other portrait experts): would it help to ask the model to pull her shoulders (shoulderblades) back and down (and then relax again, of course) to improve posture. I know it is what they ask of ballet dancers to get the right posture.
Otherwise another very nice portrait of a pretty young lady
Regards,
Remco
Thank you Naseem for posting here.
She is very cute, the little girl... Three years old. Nice age with lots of time in the future
But Naseem she doesn't seem very interested or involved in the scene. It looks like she was told to look at the candles because you were going to take a picture of her.
And you could have done a better work. Not that this one is bad, no not at all this is quite interesting and you will keep it in your memory for a long time.
And how could you have done a better shot ? For example lighting the candles, telling her to blow them gently while you were making 6 shots in sequence.
Well, this is just a suggestion and please don't be mad at me.
Oh, and something else: move her to the shadow as you can get better light, more subtle, more gentle, more appropriated to the moment.
I think Neil that to avoid all these problems you have to shoot many pictures to get one very good. Sometimes none. Then you got repeat the process.
I should day: concenter on a subject and shoot over and over until the right shot appears.
No, I don't mean to shoot at ramdom. No. I mean with commitment, concern and concentration.
Nice and good photos just - usually - don't pop out of the camera that easily.
Thank you Kay for posting here
I don't see in my monitor any "too bright" area. For me everything is OK except ... oh my God she is going to be mad at me and I begin to be traumatized ... perhaps ... I say perhaps to soften things ... perhaps ... shell I say it ? ... perhaps ... yes I am going to say it ... a little bit too much blur on her face. Uff I said it. What is it going to happen ? Is she going away because of me ? Oh no. I don't want that... What shall I do ? Will she ever forgive me ?
Thankyou all for commenting...
Remco - yes absolutely all sorts of mixed lighting, but that is all that I have to try and learn the effects of positioning of lights and reflectors as Colin showed us with the 'real thing' in his portrait school lesson #6...so you are 'spot on' and yes I think 1 of the lights was too close and with no soft boxes etc - this is the result.
But for my learning I was happy to achieve no shadows on her face by moving everything around.
Sahil - Thankyou for trying to fix the bright area..I think we see maybe my own earlier bad attempts at fixing it show through - but the lesson here for me is very helpful again as it 'highlights' what Colin was trying to teach us, that is what the lights can do and where/how to place them.
Katy - Thankyou I will tell her
and Dear Antonio of course she will not go away (maybe to University soon but that is here in our town ) your honest comments are what we post here for and you may be surprised but she agreed with you.
So again lesson learnt for me, I think I was so pleased to learn this new technique from my photoshop book, that I perhaps 'overdid' it's effect....the friend who posed for me last week was 30 years old and though everyone else liked her pictures, she could see 'too much detail' if that makes sesne which sent me on this skin softening tangent.....but again good lesson as I am sure Colin would tell me.
Ladies of 30 years and 18 years do not need the same treatment
So next lesson for me is to reprocess one of my 'older' friend and see how that looks.
Thankyou all again - so very much.
I can confirm what Antonio saw on his monitor, I do not see any too bright areas on her hair. Overall, I think you did very well Kay. She seems to be a very patient model. If I were you, I would try some of those unusual poses Colin usually likes. Of course you can come up with your own. A little bit more energy, different backgrounds.
One comment though (those were suggestions!): Before you shoot, I guess you have to pay more attention to the stray hair. Specially, on her shoulder, there is "just the wrong amount of hair"! I mean if there was a lot of her hair over there, that would be nice, no hair at all would be nice also, but just a few like this means you did not paid attention to that. Also with the close tool set to lighten, you should be able to easily clean rest of the stray hair around the head, if you are bored and want to practice
And finally, I agree with Antonio that the effect you were going for on the other version was overdone as you said yourself. The general rule is to always go down 10-15 percent less that what you think is enough! I don't think she needed any of that anyway
Hi Ashwin,
Looks good. I would not apply sharpening or at least that much of it to the skin of the face. I think it is exaggerated in a not so flattering way. I think sharpening the eyes and the hair would be just enough.
As for the background, I would actually apply some blur to it to make it a bit less noticeable. Not too much so that one can tell she is sitting in a place like church with others around her.
I think the sharpening on the dress and the book (Bible?) is just fine.