Hi Dave,
People often comment on things like this, but what they don't seem to realize is that the shots aren't posed ... I get the girls in a starting position, and they "do their thing" from that point onwards, so the angle they present their faces to the lighting at may vary over 30 degrees between successive frames ... so other than getting the general principles of the lighting, I really don't have any control over any fine tuning like that -- so it simply becomes "luck of the draw".
With regards to the "grubby face", as you say, it's just shadow, accentuated by the rim lighting (which I think is very effective). Personally, it doesn't bother me - although now you mention it, a quick dodge migh improve it. We were already working 6 zones of light on those, so it's about the best I can do
Good stuff Colin. Thanks for sharing. Hope it is a water pistol!
Just a public thank you to Colin for allowing me to sit in and be the fan gopher on this shoot. I think the final results are amazing considering that these ladies are not professional models. Holly was quite reserved and needed a bit of direction. To actually see how the lighting is set up in a systematic fashion was great. I learnt a lot and I'll be using the techniques in my own studio. Now how do I get 2 attractive girls into the house without my wife seeing them .
Thanks again Colin.
All the technical aspects, expertise and setting up which went into making such great photos is so far above my head that Alpha Centauri is far closer to me. Having admitted to this, and at the risk of sounding silly, I would like to make a 'layman's view' comment on picture 3, if I may; with the hope of not causing any offence on a great pic of a lovely model. On my monitor anyway, because of the lighting effect on the model's black top and the angle of the shot ( if that is acceptable terminology), her left arm appears to be articulated to her body and protruding from somewhere in the region of her upper sternum, rather than the shoulder region. Anatomically, to me, this apparent central juxtaposition of her arm seemed NQR. I make this comment purely on the basis of a 'layman with no interest or knowledge of the technical production input to attain the final art work,' but by one simply admiring fine art by a highly skilled and professional photographer. I hope this is a legitimate comment and neither fatuous nor offensive to those craftsmen who are my betters by far in these matters.
Ken
Hi Colin
Yes, this is probably the most likely explanation. Thank you. I will follow this up and rectify as required.
cheers
Ken